1
00:00:02,819 --> 00:00:05,825
ANNIE: [panting]
2
00:00:05,825 --> 00:00:08,831
[breathing heavily]
3
00:00:08,831 --> 00:00:10,250
[dark music]
4
00:00:10,250 --> 00:00:12,337
[typewriter key clacks]
5
00:00:12,337 --> 00:00:16,555
♪ ♪
6
00:00:16,555 --> 00:00:19,561
[typewriter keys clacking]
7
00:00:19,561 --> 00:00:24,571
♪ ♪
8
00:00:24,571 --> 00:00:26,533
[sound mutes]
9
00:00:26,533 --> 00:00:29,581
♪ ♪
10
00:00:29,581 --> 00:00:31,250
[typewriter key clacks]
11
00:00:31,250 --> 00:00:32,754
[leaves crunching]
12
00:00:32,754 --> 00:00:34,799
[sound mutes]
13
00:00:34,799 --> 00:00:36,637
[typewriter key clacks]
14
00:00:36,637 --> 00:00:39,643
[panting]
15
00:00:39,643 --> 00:00:42,607
[water rushing]
16
00:00:51,792 --> 00:00:54,004
[typewriter keys clack]
17
00:00:54,004 --> 00:00:55,925
[typewriter whirs, clicks]
18
00:00:55,925 --> 00:01:02,939
♪ ♪
19
00:01:11,080 --> 00:01:14,086
[muffled typewriter keys
clacking]
20
00:01:14,086 --> 00:01:17,008
♪ ♪
21
00:01:17,008 --> 00:01:18,971
[typewriter whirrs, clicks]
22
00:01:20,140 --> 00:01:21,977
CHORUS: ♪ We're coming
to the edge ♪
23
00:01:21,977 --> 00:01:24,231
♪ Running on the water ♪
24
00:01:24,231 --> 00:01:28,197
♪ Coming through the fog,
your sons and daughters ♪
25
00:01:28,197 --> 00:01:30,536
♪ ♪
26
00:01:30,536 --> 00:01:35,504
SINGER: ♪ Let the river run ♪
27
00:01:35,504 --> 00:01:39,094
♪ Let all the dreamers ♪
28
00:01:39,094 --> 00:01:43,311
♪ Wake the nation ♪
29
00:01:43,311 --> 00:01:45,190
♪ Come ♪
30
00:01:45,190 --> 00:01:51,202
♪ The New Jerusalem ♪
31
00:01:51,202 --> 00:01:55,419
♪ ♪
32
00:01:55,419 --> 00:01:59,552
♪ Silver cities rise ♪
33
00:01:59,552 --> 00:02:02,057
♪ The morning lights ♪
34
00:02:02,057 --> 00:02:05,773
♪ The streets that meet them ♪
35
00:02:05,773 --> 00:02:09,656
♪ And sirens call them on ♪
36
00:02:09,656 --> 00:02:13,162
♪ With a song ♪
37
00:02:13,162 --> 00:02:15,960
♪ ♪
38
00:02:15,960 --> 00:02:21,596
♪ It's asking for the taking ♪
39
00:02:21,596 --> 00:02:27,065
♪ Trembling, shaking ♪
40
00:02:27,065 --> 00:02:29,487
♪ Oh ♪
ANNIE: Joy.
41
00:02:29,487 --> 00:02:30,739
[engine turns over]
42
00:02:30,739 --> 00:02:32,785
JOY: Shall we?
‐ To the Laughing Place.
43
00:02:32,785 --> 00:02:34,789
‐ To the Laughing Place.
44
00:02:34,789 --> 00:02:36,083
SINGER:
♪ Coming through the fog ♪
45
00:02:36,083 --> 00:02:37,545
♪ Your sons and daughters ♪
46
00:02:37,545 --> 00:02:41,970
BOTH:
♪ We the great and small ♪
47
00:02:41,970 --> 00:02:44,601
♪ Stand on a star ♪
48
00:02:44,601 --> 00:02:50,028
SINGER: ♪ And blaze a trail
of desire ♪
49
00:02:50,028 --> 00:02:56,750
♪ Through the darkening dawn ♪
50
00:02:56,750 --> 00:02:58,712
♪ ♪
51
00:02:58,712 --> 00:03:03,722
BOTH: ♪ It's asking
for the taking ♪
52
00:03:03,722 --> 00:03:06,895
ANNIE: ♪ Come run with me now,
the sky is color of blue ♪
53
00:03:06,895 --> 00:03:11,070
♪ You've never even seen
in the eyes of your lover ♪
54
00:03:11,070 --> 00:03:14,452
BOTH: ♪ My heart is aching ♪
55
00:03:14,452 --> 00:03:17,207
‐ ♪ We're coming to the edge ♪
‐ ♪ Running on the water ♪
56
00:03:17,207 --> 00:03:20,631
‐ ♪ Coming through the fog ♪
‐ ♪ Your sons and daughters ♪
57
00:03:20,631 --> 00:03:24,847
♪ ♪
58
00:03:24,847 --> 00:03:30,359
BOTH: ♪ It's asking
for the taking ♪
59
00:03:30,359 --> 00:03:35,786
SINGER:
♪ Trembling, shaking ♪
60
00:03:35,786 --> 00:03:40,879
♪ Oh, my heart is aching ♪
61
00:03:40,879 --> 00:03:43,802
‐ ♪ We're coming to the edge ♪
‐ ♪ Running on the water ♪
62
00:03:43,802 --> 00:03:46,599
‐ ♪ Coming through the fog ♪
‐ ♪ Your sons and daughters ♪
63
00:03:46,599 --> 00:03:49,355
ALL: ♪ Let the river run ♪
64
00:03:49,355 --> 00:03:52,068
SINGER: ♪ Let the river run ♪
65
00:03:52,068 --> 00:03:53,572
♪ Let all the dreamers ♪
66
00:03:53,572 --> 00:03:56,911
[no audible dialogue]
67
00:03:56,911 --> 00:03:58,665
♪ Come ♪
68
00:03:58,665 --> 00:04:04,552
♪ The New Jerusalem ♪
69
00:04:04,552 --> 00:04:07,140
[all whooping, laughing]
70
00:04:07,140 --> 00:04:13,612
♪ ♪
71
00:04:13,612 --> 00:04:16,618
[insects chirping]
72
00:04:21,836 --> 00:04:24,091
[insects buzzing]
73
00:04:24,091 --> 00:04:26,638
[insect wings fluttering]
74
00:04:31,230 --> 00:04:34,194
[camera shutter clicking]
75
00:04:34,194 --> 00:04:36,825
TRAVELER: You're North Dakota.
76
00:04:36,825 --> 00:04:38,870
Your plate's North Dakota.
77
00:04:38,870 --> 00:04:40,916
One of the only suckers
we haven't got.
78
00:04:40,916 --> 00:04:42,503
"Plate from every state."
79
00:04:42,503 --> 00:04:44,757
It's a little game
my boy and I play in the car.
80
00:04:44,757 --> 00:04:46,301
You gotta pass the time.
81
00:04:46,301 --> 00:04:49,015
‐ Oh, surely do, but...
82
00:04:49,015 --> 00:04:51,604
oh, goodness,
I hate to even ask you this.
83
00:04:51,604 --> 00:04:53,190
‐ What was that?
84
00:04:53,190 --> 00:04:56,321
‐ It's just, my girl and I...
85
00:04:57,575 --> 00:05:00,329
We're taking a little break
from the internet.
86
00:05:00,329 --> 00:05:03,503
We've had some trouble online.
87
00:05:03,503 --> 00:05:06,384
Harassment.
‐ Oh, no.
88
00:05:06,384 --> 00:05:08,262
‐ Would you terribly mind
89
00:05:08,262 --> 00:05:10,726
deleting those pics
you just snapped?
90
00:05:10,726 --> 00:05:12,354
MAN: Of course, ma'am.
91
00:05:12,354 --> 00:05:13,815
Apologies.
92
00:05:13,815 --> 00:05:16,028
[gas rushing]
93
00:05:16,028 --> 00:05:18,825
[pump clicks]
94
00:05:18,825 --> 00:05:20,328
‐ Appreciate you.
95
00:05:21,831 --> 00:05:24,503
[screws twisting]
96
00:05:38,322 --> 00:05:41,203
[license plates clattering]
97
00:05:41,203 --> 00:05:42,790
[lock clicks]
98
00:05:44,418 --> 00:05:47,424
[engine rumbling]
99
00:05:50,054 --> 00:05:53,060
[dark music]
100
00:05:53,060 --> 00:05:58,738
♪ ♪
101
00:05:58,738 --> 00:06:01,744
[eerie, raspy breathing]
102
00:06:19,864 --> 00:06:22,201
[bag rustling]
103
00:06:22,201 --> 00:06:25,124
[no audible rattling]
104
00:06:25,124 --> 00:06:32,138
♪ ♪
105
00:06:35,979 --> 00:06:37,983
[no audible rattling]
106
00:06:37,983 --> 00:06:43,870
♪ ♪
107
00:06:45,582 --> 00:06:47,586
[no audible rattling]
108
00:06:49,924 --> 00:06:51,134
JOY: Mom!
109
00:06:51,134 --> 00:06:53,055
‐ [screams]
ANNIE: Joy!
110
00:06:53,055 --> 00:06:55,644
[both scream]
111
00:06:55,644 --> 00:06:58,608
[metal creaking]
112
00:06:58,608 --> 00:06:59,777
♪ ♪
113
00:06:59,777 --> 00:07:02,407
[metal crashing, skidding]
114
00:07:02,407 --> 00:07:05,413
[horn honking]
115
00:07:05,413 --> 00:07:08,419
[suspenseful music]
116
00:07:08,419 --> 00:07:15,433
♪ ♪
117
00:07:21,654 --> 00:07:24,660
[ominous music]
118
00:07:24,660 --> 00:07:31,674
♪ ♪
119
00:07:54,511 --> 00:07:57,517
[clock ticking]
120
00:07:57,517 --> 00:08:00,523
[ominous music]
121
00:08:00,523 --> 00:08:05,324
♪ ♪
122
00:08:05,324 --> 00:08:07,537
[approaching footsteps]
123
00:08:07,537 --> 00:08:10,961
♪ ♪
124
00:08:10,961 --> 00:08:13,006
POP: Let's go with a gas leak.
125
00:08:13,006 --> 00:08:15,470
No arson.
Too much paperwork.
126
00:08:15,470 --> 00:08:17,766
Place wasn't worth that much
to begin with.
127
00:08:35,468 --> 00:08:37,263
ACE: Hey.
128
00:08:37,263 --> 00:08:38,516
Hi.
129
00:08:38,516 --> 00:08:39,893
Hi, hi.
130
00:08:39,893 --> 00:08:41,856
‐ [dog whimpers]
‐ Hi. [kisses]
131
00:08:41,856 --> 00:08:43,150
[bell jingles]
132
00:08:43,150 --> 00:08:44,778
[railroad crossing bell
dinging]
133
00:08:44,778 --> 00:08:46,699
[tools whirring]
134
00:08:46,699 --> 00:08:48,285
[dog whimpers]
135
00:08:51,333 --> 00:08:52,753
[dog barks]
136
00:08:52,753 --> 00:08:55,717
♪ ♪
137
00:08:55,717 --> 00:08:56,886
[door slams]
138
00:08:56,886 --> 00:08:59,223
[engine turns over]
139
00:09:03,441 --> 00:09:05,820
[engine rumbling]
140
00:09:05,820 --> 00:09:08,826
[train wheels clattering]
141
00:09:08,826 --> 00:09:15,840
♪ ♪
142
00:09:21,059 --> 00:09:23,021
TALK SHOW HOST: And what do
we get in return?
143
00:09:23,021 --> 00:09:24,608
A slap in the face.
144
00:09:24,608 --> 00:09:27,029
Somalis took what they needed
145
00:09:27,029 --> 00:09:29,785
when they needed it,
and now that they're dug in,
146
00:09:29,785 --> 00:09:32,499
guess what, we don't even get
a "thank you."
147
00:09:32,499 --> 00:09:35,964
We sure as hell don't get
a return on our investment.
148
00:09:35,964 --> 00:09:38,511
If they put a prayer room
in that new mall, folks,
149
00:09:38,511 --> 00:09:39,930
guess what...
150
00:09:39,930 --> 00:09:41,684
[engine rumbling]
151
00:09:41,684 --> 00:09:44,648
They're smart, these folks,
and we've been stupid.
152
00:09:44,648 --> 00:09:46,902
And now they're taking it all.
153
00:09:46,902 --> 00:09:49,533
Not just our business either.
Our land.
154
00:09:49,533 --> 00:09:51,912
They've been sweeping up
old buildings
155
00:09:51,912 --> 00:09:54,793
and property all around
Salem's Lot for years.
‐ [indistinct shouting]
156
00:09:54,793 --> 00:09:57,339
TALK SHOW HOST: Grounds we've
learned fell over decades
157
00:09:57,339 --> 00:09:59,762
'cause of one old ghost story
or another.
158
00:09:59,762 --> 00:10:01,640
[engine rumbling]
159
00:10:01,640 --> 00:10:03,394
[brakes squeaking]
160
00:10:03,394 --> 00:10:05,189
...400th anniversary.
161
00:10:05,189 --> 00:10:07,652
[indistinct chatter]
162
00:10:08,821 --> 00:10:12,119
‐ Hey. Go ahead.
Tie me that. Give it up.
163
00:10:12,119 --> 00:10:14,374
SHOP OWNER: Here is your money,
all right?
164
00:10:16,462 --> 00:10:18,089
‐ [scoffs]
165
00:10:18,089 --> 00:10:20,470
BILLY: Where's your weekly?
‐ Here you go.
166
00:10:20,470 --> 00:10:22,516
‐ You, give it up.
167
00:10:23,726 --> 00:10:25,855
BILLY: Pay up.
SHOP OWNER: Here.
168
00:10:27,149 --> 00:10:28,903
‐ Let's go.
Rent.
169
00:10:28,903 --> 00:10:30,406
‐ [laughing]
170
00:10:32,577 --> 00:10:34,998
[cash register dings]
[drawer clatters]
171
00:10:38,506 --> 00:10:41,219
The fuck's this?
‐ This is my two weeks' notice.
172
00:10:41,219 --> 00:10:44,643
I'll be closing down.
I'm moving to Abdi's new mall.
173
00:10:44,643 --> 00:10:46,856
BILLY: You, too,
you piece of shit?
174
00:10:46,856 --> 00:10:49,026
‐ Keep the money.
175
00:10:49,026 --> 00:10:51,030
‐ Please, Ace,
I pay what I owe.
176
00:10:51,030 --> 00:10:53,076
ACE: Oh, no, Naji.
177
00:10:53,076 --> 00:10:55,874
Please, keep it.
178
00:10:57,167 --> 00:10:59,548
You're not going anywhere.
179
00:10:59,548 --> 00:11:02,971
[foreboding music]
180
00:11:02,971 --> 00:11:05,977
[construction trucks beeping]
181
00:11:13,826 --> 00:11:15,830
ACE: [yelling]
Is that that piece of shit?
182
00:11:15,830 --> 00:11:18,084
Get the fuck out of my way.
183
00:11:18,084 --> 00:11:20,632
Touch me again,
you fucking rake!
184
00:11:20,632 --> 00:11:22,552
Touch me again!
MAN: You need to step back.
185
00:11:22,552 --> 00:11:24,848
‐ Abdi, get the fuck out here!
186
00:11:24,848 --> 00:11:27,520
You fucking prick.
187
00:11:27,520 --> 00:11:29,483
ABDI: Hey.
188
00:11:29,483 --> 00:11:31,695
Looking to rent a stall?
189
00:11:31,695 --> 00:11:33,616
Get of your own shitty mall?
190
00:11:33,616 --> 00:11:35,578
We can help you with that.
191
00:11:35,578 --> 00:11:37,164
We have friends
and family rate.
192
00:11:37,164 --> 00:11:38,542
‐ You're not my fucking family,
193
00:11:38,542 --> 00:11:40,546
and you never were,
you adopted piece of shit.
194
00:11:40,546 --> 00:11:42,257
‐ Hey, hey, hey.
Back up. Back up.
195
00:11:42,257 --> 00:11:45,055
ABDI:
It's just business, right?
That's what Pop taught me.
196
00:11:45,055 --> 00:11:46,600
ACE: You know why
you got this land?
197
00:11:46,600 --> 00:11:48,061
'Cause no one else
fucking wants it.
198
00:11:48,061 --> 00:11:49,398
HASSAN: Haunted, right?
199
00:11:49,398 --> 00:11:51,652
Ghosts of the white people
who used to live here?
200
00:11:51,652 --> 00:11:52,821
ABDI: Who were those?
201
00:11:52,821 --> 00:11:55,952
The witches
or the slave owners?
202
00:11:55,952 --> 00:11:59,166
ACE: Stop poaching my tenants.
‐ Hey, hey, hey.
203
00:11:59,166 --> 00:12:01,755
‐ Go back to your fucking car.
204
00:12:03,926 --> 00:12:05,680
[car door squeaks, slams]
205
00:12:05,680 --> 00:12:08,769
[engine turns over]
206
00:12:08,769 --> 00:12:10,815
[horn honks]
207
00:12:10,815 --> 00:12:13,028
[engine rumbling]
208
00:12:14,406 --> 00:12:17,412
[indistinct chatter]
209
00:12:18,664 --> 00:12:21,670
[machines whirring]
210
00:12:21,670 --> 00:12:24,676
[eerie, discordant music]
211
00:12:24,676 --> 00:12:31,690
♪ ♪
212
00:12:51,647 --> 00:12:54,653
[machine blares, powers down]
213
00:13:04,088 --> 00:13:07,094
[brakes creaking]
214
00:13:07,094 --> 00:13:10,100
[foreboding music]
215
00:13:10,100 --> 00:13:16,864
♪ ♪
216
00:13:16,864 --> 00:13:19,285
[car door squeaks]
217
00:13:19,285 --> 00:13:22,834
♪ ♪
218
00:13:22,834 --> 00:13:25,130
[car door slams]
219
00:13:25,130 --> 00:13:31,184
♪ ♪
220
00:13:31,184 --> 00:13:32,896
[door slams]
221
00:13:35,192 --> 00:13:36,235
‐ Mom?
222
00:13:36,235 --> 00:13:38,657
‐ You give that landlord
two lanes.
223
00:13:38,657 --> 00:13:40,620
You understand?
224
00:13:46,088 --> 00:13:47,174
JOY: Why?
225
00:13:47,174 --> 00:13:49,596
He seems okay.
226
00:13:49,596 --> 00:13:51,140
ANNIE: He's not.
227
00:13:53,227 --> 00:13:55,983
‐ After the accident,
he didn't even charge us
to tow the car.
228
00:13:55,983 --> 00:13:57,194
‐ Exactly.
229
00:13:57,194 --> 00:13:58,822
Nothing's for free
with a man like that,
230
00:13:58,822 --> 00:14:00,200
believe you me.
231
00:14:00,200 --> 00:14:01,912
‐ Mom.
‐ Joy.
232
00:14:01,912 --> 00:14:05,126
If you can't see how
that dirty bird's been
looking at us...
233
00:14:05,126 --> 00:14:08,216
[sighs]
I haven't taught you anything.
234
00:14:09,636 --> 00:14:11,723
JOY: Are you okay?
235
00:14:11,723 --> 00:14:14,228
You seem a little...
236
00:14:14,228 --> 00:14:16,650
you know.
237
00:14:16,650 --> 00:14:18,904
‐ This isn't about me.
238
00:14:20,741 --> 00:14:22,787
‐ You know, if‐‐if you're not
feeling like yourself,
239
00:14:22,787 --> 00:14:25,166
you can tell me.
240
00:14:25,166 --> 00:14:28,632
I just mean, you haven't
had your medicine
in a week, right?
241
00:14:28,632 --> 00:14:30,970
‐ I'm getting more pills
at the hospital today.
242
00:14:30,970 --> 00:14:34,602
Don't you worry one little bit.
243
00:14:34,602 --> 00:14:36,857
[lock clicks, handle rattles]
244
00:14:36,857 --> 00:14:39,821
‐ After I finish school stuff,
can I go to the store?
245
00:14:41,073 --> 00:14:43,286
To get more drawing paper.
246
00:14:43,286 --> 00:14:45,081
‐ I got you some two towns ago.
247
00:14:45,081 --> 00:14:47,503
We're not millionaires, Joy.
248
00:14:47,503 --> 00:14:51,052
‐ I don't know, I'm just‐‐
I'm feeling a little
cabin‐fevery.
249
00:14:51,052 --> 00:14:53,056
I haven't been out of the house
in a week.
250
00:14:53,056 --> 00:14:55,351
‐ Little love...
251
00:14:55,351 --> 00:14:56,855
[tense music]
252
00:14:56,855 --> 00:15:00,446
This town is not a good place.
253
00:15:00,446 --> 00:15:02,700
Not just that dirty bird.
254
00:15:02,700 --> 00:15:04,328
He's the roach you can see.
255
00:15:04,328 --> 00:15:06,290
The rest are in the walls.
256
00:15:06,290 --> 00:15:08,294
I've heard things.
257
00:15:08,294 --> 00:15:10,090
Massacres.
258
00:15:10,090 --> 00:15:13,096
Kids vanishing into thin air.
259
00:15:13,096 --> 00:15:15,183
♪ ♪
260
00:15:15,183 --> 00:15:17,229
‐ Okay, Mom.
261
00:15:17,229 --> 00:15:20,402
ANNIE: Just a couple more days.
262
00:15:20,402 --> 00:15:23,867
We'll get the car fixed
good as new.
263
00:15:23,867 --> 00:15:27,458
We'll be back on the road
in no time.
264
00:15:27,458 --> 00:15:30,130
JOY: To where?
265
00:15:30,130 --> 00:15:31,758
‐ The Laughing Place,
of course.
266
00:15:31,758 --> 00:15:34,221
‐ Where?
Montreal, still?
267
00:15:34,221 --> 00:15:37,227
ANNIE: Why not?
268
00:15:37,227 --> 00:15:39,189
I need to get ready
for my interview.
269
00:15:39,189 --> 00:15:43,907
When I'm gone,
you don't open up that door
for anyone, understand?
270
00:15:49,334 --> 00:15:51,506
[bird cawing]
271
00:15:51,506 --> 00:15:53,468
JAMAL: How many shifts
are you after?
272
00:15:53,468 --> 00:15:54,888
How's April looking for you?
273
00:15:54,888 --> 00:15:56,808
ANNIE: Oh, I'm just
passing through.
274
00:15:56,808 --> 00:16:00,148
Your ad said
you needed temp RNs.
275
00:16:00,148 --> 00:16:01,818
‐ Okay, you on any medications?
276
00:16:01,818 --> 00:16:04,239
‐ No.
JAMAL: State screening.
277
00:16:04,239 --> 00:16:06,118
Now even temp RNs have to list.
278
00:16:06,118 --> 00:16:08,665
Annie: Oh, well, vitamin D.
279
00:16:08,665 --> 00:16:12,172
JAMAL: Docs love to push
the vitamin D, right?
280
00:16:12,172 --> 00:16:15,721
Okay, then, just need
two forms of ID, Ms. Ingalls.
281
00:16:19,646 --> 00:16:21,065
‐ Birth certificate.
282
00:16:21,065 --> 00:16:23,987
It's a copy.
I hope that's okay.
283
00:16:25,991 --> 00:16:29,164
[suspenseful music]
284
00:16:29,164 --> 00:16:32,672
NURSE: Nurses' station.
This is Eric.
285
00:16:32,672 --> 00:16:34,509
JAMAL: Salem's Lot's
we get all the greatest hits.
286
00:16:34,509 --> 00:16:37,974
Appendicitis, vaccines,
arrhythmias.
287
00:16:37,974 --> 00:16:41,105
Intakes from Castle Rock,
you're looking at 70‐80% ODs.
288
00:16:41,105 --> 00:16:43,735
All NARCAN all the time.
289
00:16:43,735 --> 00:16:46,825
♪ ♪
290
00:16:46,825 --> 00:16:49,372
[marker squeaking]
291
00:16:49,372 --> 00:16:50,916
Drugs are all in there.
292
00:16:50,916 --> 00:16:52,837
Only docs and
nurse practitioners
have the passcode.
293
00:16:52,837 --> 00:16:54,424
‐ Seems like a lot
of extra work.
294
00:16:54,424 --> 00:16:57,763
‐ Mm, new state regs
'cause of all the damn junkies.
295
00:16:57,763 --> 00:17:01,020
♪ ♪
296
00:17:01,020 --> 00:17:03,984
[monitor beeping]
297
00:17:09,829 --> 00:17:11,875
EVELYN:
Can I help you with something?
298
00:17:11,875 --> 00:17:14,464
‐ Depakote, 125 for room three.
299
00:17:14,464 --> 00:17:17,052
She needs an adjustment.
‐ Can you find what you need?
300
00:17:17,052 --> 00:17:18,430
‐ Sure thing.
301
00:17:18,430 --> 00:17:20,893
[keypad beeping]
302
00:17:20,893 --> 00:17:23,398
‐ Oh, keypad's fritzing again.
303
00:17:23,398 --> 00:17:25,318
You know, Dr. H has
an override key.
304
00:17:25,318 --> 00:17:26,654
She'll bring you in.
305
00:17:26,654 --> 00:17:28,700
[indistinct announcement
over PA]
306
00:17:28,700 --> 00:17:30,829
[bed creaks, metal clanging]
307
00:17:30,829 --> 00:17:32,082
♪ ♪
308
00:17:32,082 --> 00:17:34,211
[keypad beeps, echoes]
309
00:17:34,211 --> 00:17:35,964
NURSE: Anne?
310
00:17:35,964 --> 00:17:37,677
♪ ♪
311
00:17:37,677 --> 00:17:39,972
[metal clanging]
312
00:17:39,972 --> 00:17:41,350
[monitor beeping]
[clanging continues]
313
00:17:41,350 --> 00:17:43,605
[paddles charging]
314
00:17:43,605 --> 00:17:45,776
[monitor beeps]
315
00:17:45,776 --> 00:17:47,488
‐ [muttering] How on Earth...
316
00:17:47,488 --> 00:17:50,494
[wheelchair squeaking]
317
00:17:50,494 --> 00:17:57,173
♪ ♪
318
00:17:59,512 --> 00:18:01,850
[indistinct chatter]
319
00:18:01,850 --> 00:18:04,856
[birds chirping]
320
00:18:12,788 --> 00:18:15,168
‐ [sighs]
321
00:18:20,512 --> 00:18:24,352
[fridge whirring]
322
00:18:24,352 --> 00:18:26,775
[door squeaks]
323
00:18:26,775 --> 00:18:29,781
[cagey music]
324
00:18:29,781 --> 00:18:36,795
♪ ♪
325
00:18:39,049 --> 00:18:40,636
[button snaps]
326
00:18:40,636 --> 00:18:42,848
[static crackling]
327
00:18:42,848 --> 00:18:44,100
[button snaps]
[audio warbles]
328
00:18:44,100 --> 00:18:45,604
REPORTER: After months
of renovations,
329
00:18:45,604 --> 00:18:48,067
inmates are finally
returning home to Shawshank
330
00:18:48,067 --> 00:18:50,823
after spending most
of last year dispersed
across the northeast.
331
00:18:50,823 --> 00:18:53,118
Of course, not everyone
is happy to be back,
332
00:18:53,118 --> 00:18:55,749
in light of all
that's transpired
within these walls.
333
00:18:55,749 --> 00:18:57,628
ANNOUNCER:
Orderly to admitting.
334
00:18:57,628 --> 00:18:59,507
Orderly to admitting.
335
00:18:59,507 --> 00:19:01,553
[suspenseful music]
336
00:19:01,553 --> 00:19:04,517
NADIA: We've had to keep
this locked.
[keypad beeps]
337
00:19:04,517 --> 00:19:06,353
NURSE: Thanks, Dr. H.
338
00:19:06,353 --> 00:19:13,368
♪ ♪
339
00:19:19,296 --> 00:19:22,302
[typewriter keys clacking]
340
00:19:22,302 --> 00:19:24,473
♪ ♪
341
00:19:24,473 --> 00:19:27,186
[typewriter whirrs, clicks]
342
00:19:27,186 --> 00:19:30,151
TALL MAN:
[unintelligible muttering]
343
00:19:30,151 --> 00:19:33,240
[sinister music]
344
00:19:33,240 --> 00:19:35,537
♪ ♪
345
00:19:35,537 --> 00:19:38,919
[horn blaring]
346
00:19:38,919 --> 00:19:41,674
[tires rumbling]
347
00:19:41,674 --> 00:19:46,141
♪ ♪
348
00:19:49,398 --> 00:19:52,404
[Bruce Springsteen's
"State Trooper"]
349
00:19:52,404 --> 00:19:56,871
♪ ♪
350
00:19:56,871 --> 00:20:00,963
BRUCE: ♪ New Jersey Turnpike ♪
351
00:20:00,963 --> 00:20:03,635
♪ Riding on a wet night ♪
352
00:20:03,635 --> 00:20:05,304
[herb crackles]
353
00:20:05,304 --> 00:20:08,185
♪ 'Neath the refinery's glow ♪
354
00:20:08,185 --> 00:20:12,945
♪ Out where the great
black rivers flow ♪
355
00:20:12,945 --> 00:20:17,078
♪ License, registration ♪
356
00:20:17,078 --> 00:20:18,832
♪ I ain't got none ♪
357
00:20:18,832 --> 00:20:21,169
‐ Tell Sheriff Boucher
358
00:20:21,169 --> 00:20:22,840
that if another one
of his rookies
359
00:20:22,840 --> 00:20:25,679
puts a fucking parking ticket
on my truck...
360
00:20:25,679 --> 00:20:27,599
[camera clicks]
361
00:20:27,599 --> 00:20:31,189
There won't be any Christmas
in the Boucher household.
362
00:20:31,189 --> 00:20:33,862
Your per diem's
in the Crisco can.
363
00:20:33,862 --> 00:20:35,407
♪ ♪
364
00:20:35,407 --> 00:20:38,413
BRUCE:
♪ Please don't stop me ♪
365
00:20:38,413 --> 00:20:40,792
[metal clatters]
366
00:20:40,792 --> 00:20:43,297
POP: You break it,
you bought it.
367
00:20:43,297 --> 00:20:45,594
ACE: Two more tenants
leaving me early
for Abdi's mall.
368
00:20:45,594 --> 00:20:47,473
POP: Leaving you?
369
00:20:47,473 --> 00:20:49,518
That's a fucking mystery.
Who'd want to leave you?
370
00:20:49,518 --> 00:20:50,854
ACE: You could've put an end
to this shit.
371
00:20:50,854 --> 00:20:52,733
POP: Could I have?
372
00:20:52,733 --> 00:20:55,405
‐ That fucking land Abdi got
for a song and a handjob?
373
00:20:55,405 --> 00:20:57,493
That was imminent domain.
374
00:20:57,493 --> 00:20:59,872
One call to the fucking
state board, no new mall.
375
00:20:59,872 --> 00:21:02,461
You could have
stuck your dick in
and ended this whole thing.
376
00:21:02,461 --> 00:21:05,425
‐ That what you want?
Me sticking my dick in?
377
00:21:05,425 --> 00:21:08,347
Fuck, thought you wanted
to be in charge.
378
00:21:08,347 --> 00:21:09,975
‐ You just served me up
to him and the rakes.
379
00:21:09,975 --> 00:21:12,940
Jesus Christ, Pop,
you gotta tell Abdi,
"Cut this shit out."
380
00:21:12,940 --> 00:21:14,527
We're gonna lose everything!
‐ "We"?
381
00:21:14,527 --> 00:21:16,489
No, the mall, your house,
382
00:21:16,489 --> 00:21:18,158
everything you fucking have,
I gave you.
383
00:21:18,158 --> 00:21:20,287
ACE: You gave me shit,
I took what I deserved.
384
00:21:20,287 --> 00:21:23,711
Remember, Sergeant Major?
385
00:21:25,131 --> 00:21:28,680
‐ You'd be wise
not to bring that up again.
386
00:21:28,680 --> 00:21:30,224
[bell jingles]
387
00:21:30,224 --> 00:21:32,521
[tense music]
388
00:21:32,521 --> 00:21:34,149
[door closes]
389
00:21:34,149 --> 00:21:39,410
♪ ♪
390
00:21:39,410 --> 00:21:42,416
[TV chattering]
391
00:21:48,553 --> 00:21:51,183
‐ [sighs]
392
00:22:17,318 --> 00:22:19,740
[mellow acoustic guitar
playing]
393
00:22:19,740 --> 00:22:23,748
CHANCE: ♪ Water couldn't
end me ♪
394
00:22:23,748 --> 00:22:27,422
♪ Something, something,
un‐friend me ♪
395
00:22:27,422 --> 00:22:30,428
[continues singing
indistinctly]
396
00:22:30,428 --> 00:22:33,518
♪ ♪
397
00:22:33,518 --> 00:22:36,314
♪ Would you burn for me? ♪
398
00:22:36,314 --> 00:22:39,905
♪ Take my place at the stake? ♪
399
00:22:39,905 --> 00:22:41,993
♪ While I'm still awake? ♪
400
00:22:41,993 --> 00:22:44,665
[humming]
401
00:22:45,834 --> 00:22:47,295
Too loud?
402
00:22:47,295 --> 00:22:50,760
‐ Oh, no, it's‐‐it's pretty.
403
00:22:50,760 --> 00:22:53,808
‐ It's a work in progress
probably forever.
404
00:22:53,808 --> 00:22:56,104
It's about witches.
405
00:22:56,104 --> 00:22:58,359
‐ Ah.
406
00:22:58,359 --> 00:23:00,989
Like in The Wizard of Oz?
407
00:23:00,989 --> 00:23:03,411
CHANCE: Uh, yeah,
but more like Satanists.
408
00:23:03,411 --> 00:23:04,705
There used to be
a bunch of them
409
00:23:04,705 --> 00:23:06,667
that lived around here
like a million years ago.
410
00:23:06,667 --> 00:23:07,878
‐ Right.
411
00:23:07,878 --> 00:23:10,090
CHANCE: Before they burned
them all out.
412
00:23:10,090 --> 00:23:11,385
JOY: Makes sense.
413
00:23:11,385 --> 00:23:14,140
‐ Probably witches buried
right under our feet.
414
00:23:16,854 --> 00:23:19,025
JOY: That's cool too.
415
00:23:20,362 --> 00:23:22,824
CHANCE: You okay?
416
00:23:22,824 --> 00:23:24,160
You were in
the accident, right?
417
00:23:24,160 --> 00:23:25,830
They said your mom
didn't want an ambulance.
418
00:23:25,830 --> 00:23:27,626
‐ Uh, yeah, she‐‐
she's a nurse, so‐‐
419
00:23:27,626 --> 00:23:29,128
CHANCE:
It must have been the money.
420
00:23:29,128 --> 00:23:32,134
They really fuck you
on ambulances.
421
00:23:33,846 --> 00:23:36,267
‐ Yeah.
422
00:23:36,267 --> 00:23:38,940
‐ I'm Chance.
423
00:23:38,940 --> 00:23:40,735
‐ Joy.
424
00:23:40,735 --> 00:23:42,364
CHANCE: Come on.
425
00:23:42,364 --> 00:23:44,283
It's freak time.
426
00:23:44,283 --> 00:23:47,289
[upbeat music playing
over boombox]
427
00:23:47,289 --> 00:23:49,878
SINGER: ♪ With all my friends,
feeling good ♪
428
00:23:49,878 --> 00:23:51,674
[metal clangs]
CHANCE: Guys!
429
00:23:51,674 --> 00:23:53,761
Hey.
430
00:23:53,761 --> 00:23:55,222
TIMOTHY: Aw.
431
00:23:56,809 --> 00:23:58,896
Oh, car crash girl.
[laughs]
432
00:23:58,896 --> 00:24:01,234
CHANCE: Her name is Joy.
433
00:24:01,234 --> 00:24:03,489
TIMOTHY: [laughs]
VERA: Hey, Joy.
434
00:24:03,489 --> 00:24:06,454
♪ ♪
435
00:24:06,454 --> 00:24:07,622
[laughs]
436
00:24:07,622 --> 00:24:09,292
CHANCE: This is Vera,
Cabin 9...
437
00:24:09,292 --> 00:24:11,254
‐ Asshole.
[rock clatters]
438
00:24:11,254 --> 00:24:14,887
‐ And this is Timothy,
Cabin 14.
439
00:24:14,887 --> 00:24:16,014
‐ Hi.
440
00:24:16,014 --> 00:24:17,767
‐ Where you from?
[grunts]
441
00:24:17,767 --> 00:24:20,690
‐ Oh, I don't know.
All over, I guess.
442
00:24:20,690 --> 00:24:24,573
Um, but we're stranded here
because of the crash.
443
00:24:24,573 --> 00:24:25,783
‐ You got any pictures?
444
00:24:25,783 --> 00:24:27,662
Your car must have been
fucked up.
445
00:24:27,662 --> 00:24:30,167
‐ Oh, I don't have a phone.
[laughs]
446
00:24:30,167 --> 00:24:32,046
♪ ♪
447
00:24:32,046 --> 00:24:33,508
VERA: Why not?
448
00:24:33,508 --> 00:24:35,887
‐ Phones give you brain cancer.
449
00:24:35,887 --> 00:24:38,601
Or, at least,
that's what my mom says.
450
00:24:38,601 --> 00:24:40,229
‐ Man, you need a phone.
451
00:24:40,229 --> 00:24:43,276
That's like the only good thing
about this dump, is free wi‐fi.
452
00:24:43,276 --> 00:24:44,738
[all laugh]
453
00:24:44,738 --> 00:24:46,742
CHANCE: Here, take a shot.
454
00:24:48,913 --> 00:24:50,123
TIMOTHY: Oh.
VERA: No.
455
00:24:50,123 --> 00:24:51,502
TIMOTHY: Ah, come on, Crash.
456
00:24:51,502 --> 00:24:53,673
‐ You're better than that.
JOY: [laughs]
457
00:24:53,673 --> 00:24:56,679
[tool whirring]
458
00:25:05,780 --> 00:25:08,995
[bell dinging]
459
00:25:12,209 --> 00:25:15,299
[soulful country music
playing over radio]
460
00:25:15,299 --> 00:25:16,301
♪ ♪
461
00:25:16,301 --> 00:25:19,098
[dinging continues]
462
00:25:20,685 --> 00:25:22,104
CHRIS: Ms. Ingalls.
463
00:25:22,104 --> 00:25:25,903
You, uh, find a way out
of Castle Rock, let me know.
464
00:25:25,903 --> 00:25:27,991
ANNIE: Working on it.
465
00:25:27,991 --> 00:25:30,413
‐ Thought maybe you, uh,
decided to stay.
466
00:25:30,413 --> 00:25:32,584
‐ No.
CHRIS: Oh.
467
00:25:32,584 --> 00:25:35,632
Heard you picked up a shift
or two over at Deville.
468
00:25:35,632 --> 00:25:38,471
I'm, uh‐‐I'm friends
with some of the docs.
469
00:25:38,471 --> 00:25:40,516
‐ Is the windshield in?
470
00:25:40,516 --> 00:25:42,269
‐ Uh, no, ma'am, sorry.
471
00:25:42,269 --> 00:25:44,524
I, uh‐‐I spoke to them
this morning.
472
00:25:44,524 --> 00:25:46,779
But, hey, I'll‐‐I'll tell Jeep
473
00:25:46,779 --> 00:25:49,993
no more business with them
until it's here.
474
00:25:49,993 --> 00:25:54,126
ACE: Local fucking news coming
to watch them pour foundation
at a construction site.
475
00:25:54,126 --> 00:25:57,467
Fucking rakes pour
a concrete floor, that's news?
476
00:25:57,467 --> 00:25:59,388
[indistinct chatter]
477
00:25:59,388 --> 00:26:01,558
Hope Abdi falls in
and fucking dies.
478
00:26:01,558 --> 00:26:04,188
There's some news I can use.
‐ Yeah.
479
00:26:04,188 --> 00:26:06,317
ACE: Can I help you, 19?
480
00:26:11,995 --> 00:26:16,212
CHRIS: Pop said no more fucking
with the Star Gazer guests.
481
00:26:16,212 --> 00:26:18,634
ACE: She's got crazy
in her eyes, that one.
482
00:26:18,634 --> 00:26:20,888
Even her own daughter
looks afraid of her.
483
00:26:20,888 --> 00:26:22,559
CHRIS: She's a nurse, asshole.
484
00:26:22,559 --> 00:26:26,274
‐ A nurse whose fucking plates
don't match her VIN.
485
00:26:26,274 --> 00:26:28,236
‐ So now you're the DMV?
486
00:26:28,236 --> 00:26:31,744
ACE: Trust me,
she's running from something.
487
00:26:34,374 --> 00:26:36,127
‐ So what's that shit
with Abdi?
488
00:26:38,339 --> 00:26:41,053
‐ I thought you wanted
to be left the fuck out of it?
489
00:26:41,053 --> 00:26:43,893
CHRIS: He's‐‐he's your
fucking stepbrother.
490
00:26:43,893 --> 00:26:46,314
Please don't
do anything stupid.
491
00:26:46,314 --> 00:26:48,652
‐ Gosh.
492
00:26:48,652 --> 00:26:51,784
Whose side you on, little bro?
493
00:27:02,137 --> 00:27:05,143
[bird chirping]
494
00:27:05,143 --> 00:27:08,149
[typewriter keys clacking]
495
00:27:10,404 --> 00:27:13,828
[typewriter whirrs, dings]
496
00:27:13,828 --> 00:27:15,581
TALL MAN: Did you like it?
497
00:27:15,581 --> 00:27:18,211
[ominous music]
498
00:27:18,211 --> 00:27:25,058
♪ ♪
499
00:27:25,977 --> 00:27:29,609
TIMOTHY: Oh, shit.
‐ Mom?
500
00:27:29,609 --> 00:27:32,281
[all laugh]
501
00:27:32,281 --> 00:27:34,411
♪ ♪
502
00:27:34,411 --> 00:27:36,205
JOY: They're just
some new friends.
503
00:27:36,205 --> 00:27:37,917
ANNIE: Brats.
JOY: How do you know?
504
00:27:37,917 --> 00:27:40,673
‐ Because they live here.
JOY: So do we!
505
00:27:40,673 --> 00:27:41,925
‐ Not for long.
506
00:27:41,925 --> 00:27:43,596
JOY: I don't know anyone
except for you
507
00:27:43,596 --> 00:27:46,350
and‐‐and nobody knows me!
508
00:27:46,350 --> 00:27:49,148
But maybe we ended up here
for a reason.
509
00:27:49,148 --> 00:27:51,110
Maybe this is
the Laughing Place.
510
00:27:51,110 --> 00:27:53,281
ANNIE: It's not.
511
00:27:55,703 --> 00:27:59,209
Joy, I will always do anything,
512
00:27:59,209 --> 00:28:02,508
everything to keep you safe,
keep you whole,
513
00:28:02,508 --> 00:28:04,596
and give you the life
that you deserve.
514
00:28:04,596 --> 00:28:07,977
Not this awful, false thing
that passes as life,
515
00:28:07,977 --> 00:28:09,939
that people in places like this
say is life.
516
00:28:09,939 --> 00:28:11,401
It isn't.
517
00:28:11,401 --> 00:28:12,987
Now, people in places like this
will tell you
518
00:28:12,987 --> 00:28:15,785
the trash on the highway
shoulder is all there is
519
00:28:15,785 --> 00:28:17,955
and you should
chase after that trash
520
00:28:17,955 --> 00:28:20,043
as it blows in the filthy wind,
521
00:28:20,043 --> 00:28:22,339
and they will try
to make you one of them.
522
00:28:22,339 --> 00:28:26,598
They'll say,
"Oh, there's no such thing
as standards anymore."
523
00:28:26,598 --> 00:28:28,477
And they will
call that freedom,
524
00:28:28,477 --> 00:28:31,692
but it's their freedom
to make you trash‐‐
525
00:28:31,692 --> 00:28:33,779
their trash‐‐
so they can use you
526
00:28:33,779 --> 00:28:36,158
and own you
and throw you away...
527
00:28:36,158 --> 00:28:37,578
JOY: Mom‐‐
‐ But I won't let them!
528
00:28:37,578 --> 00:28:40,418
It'll be blood on Christmas
before I let them, Joy!
529
00:28:40,418 --> 00:28:43,465
I'll throw my blamed body
between you and anybody!
530
00:28:43,465 --> 00:28:44,926
‐ Mom!
531
00:28:44,926 --> 00:28:47,515
Did you get any pills
at the hospital?
532
00:28:49,226 --> 00:28:51,982
Is this an emergency?
533
00:28:51,982 --> 00:28:54,571
You need help!
Mom, can you hear me?
534
00:28:54,571 --> 00:28:57,368
I‐‐I'm worried about you.
Please, Mom, talk to me!
535
00:28:57,368 --> 00:28:59,372
[tense music]
536
00:28:59,372 --> 00:29:02,085
♪ ♪
537
00:29:02,085 --> 00:29:04,632
NARRATOR: His calves bulged
in his breeches,
538
00:29:04,632 --> 00:29:07,513
evidence of hard climbs
and hard ridings,
539
00:29:07,513 --> 00:29:10,143
even as his belly had flatten
to nothing.
540
00:29:10,143 --> 00:29:12,774
He had been in the Highlands,
that much she could see
541
00:29:12,774 --> 00:29:14,318
from the concavity
of his cheeks.
542
00:29:14,318 --> 00:29:21,332
♪ ♪
543
00:29:22,710 --> 00:29:24,756
‐ [sighs]
544
00:29:24,756 --> 00:29:31,770
♪ ♪
545
00:30:18,697 --> 00:30:21,703
[dark music]
546
00:30:21,703 --> 00:30:28,717
♪ ♪
547
00:30:42,243 --> 00:30:45,249
[insect wings fluttering]
548
00:30:45,249 --> 00:30:48,255
[thunder rumbling]
549
00:30:57,608 --> 00:31:00,614
[sinister music]
550
00:31:00,614 --> 00:31:07,127
♪ ♪
551
00:31:15,184 --> 00:31:18,442
Big real estate mogul sleeping
on his sister's couch?
552
00:31:18,442 --> 00:31:20,194
‐ Try not to kill
anyone today, yeah?
553
00:31:20,194 --> 00:31:21,280
NADIA: Yep.
554
00:31:21,280 --> 00:31:24,286
[door opens]
[thunder rumbling]
555
00:31:29,129 --> 00:31:33,638
ANNOUNCER:
Would Dr. Pazold dial 6277?
556
00:31:33,638 --> 00:31:36,770
Dr. Pazold dial 6277.
557
00:31:36,770 --> 00:31:38,189
NURSE: Hey, Dr. H.
558
00:31:38,189 --> 00:31:39,776
You got the override key
to the pharmacy?
559
00:31:39,776 --> 00:31:41,654
We're getting
another punch code error.
560
00:31:41,654 --> 00:31:43,408
NADIA: I left it
at home, I think.
561
00:31:43,408 --> 00:31:46,246
Keeping track
of the little things
is not my skill set.
562
00:31:46,246 --> 00:31:47,792
NURSE: I'll call security.
563
00:31:47,792 --> 00:31:49,754
NADIA: Hey, do you know
who did this?
564
00:31:49,754 --> 00:31:51,800
NURSE: I think it was
the new girl, Anne.
565
00:31:51,800 --> 00:31:54,388
‐ Huh.
566
00:31:54,388 --> 00:31:57,394
[indistinct chatter]
567
00:31:57,394 --> 00:32:00,400
[thunder rumbles]
568
00:32:08,959 --> 00:32:11,881
‐ That's mine.
569
00:32:13,217 --> 00:32:14,428
‐ It's lovely.
570
00:32:14,428 --> 00:32:16,140
ANNIE: Belonged to my mother.
571
00:32:16,140 --> 00:32:19,480
Darn clasp is loose.
572
00:32:20,566 --> 00:32:23,446
‐ My staff, they're telling me
you're doing good work here.
573
00:32:27,705 --> 00:32:29,709
ANNIE: Okay.
574
00:32:29,709 --> 00:32:32,172
NURSE: Hey, Dr. H?
‐ Yeah?
575
00:32:32,172 --> 00:32:34,552
NURSE: Your dad's here
to see you.
576
00:32:40,104 --> 00:32:43,027
[rain pattering on window]
577
00:32:43,027 --> 00:32:45,156
NADIA: You smoking
in my office?
578
00:32:45,156 --> 00:32:47,202
‐ What, this?
579
00:32:47,202 --> 00:32:50,082
Medicinal.
Better than my chemo.
580
00:32:55,886 --> 00:32:57,514
Hey, kid.
581
00:32:57,514 --> 00:33:00,019
NADIA:
Isn't your appointment Friday?
582
00:33:00,019 --> 00:33:04,445
‐ Yeah, well, I wanted
to see you before then.
583
00:33:04,445 --> 00:33:07,910
‐ What's wrong?
584
00:33:07,910 --> 00:33:10,749
‐ I think I'm dying.
NADIA: Not if I can help it.
585
00:33:10,749 --> 00:33:14,256
I didn't come back
to New England's asshole
for you to croak on me.
586
00:33:14,256 --> 00:33:17,930
POP: Wow, did you learn that
bedside manner at Harvard?
587
00:33:17,930 --> 00:33:19,433
‐ Skipped that day.
588
00:33:19,433 --> 00:33:20,894
Guess you wasted your money.
589
00:33:20,894 --> 00:33:24,150
‐ No, seeing you
in that white coat?
590
00:33:25,319 --> 00:33:28,994
I could check out tomorrow
knowing I done one good thing.
591
00:33:28,994 --> 00:33:31,666
‐ Don't say that.
592
00:33:36,384 --> 00:33:38,596
‐ You need to talk
to your brother.
593
00:33:38,596 --> 00:33:40,684
‐ Pop.
POP: It's important.
594
00:33:40,684 --> 00:33:44,316
He's still staying in that
guest shack of yours, yeah?
595
00:33:44,316 --> 00:33:46,738
‐ You and I had a deal.
596
00:33:46,738 --> 00:33:49,410
POP: Deal's only as good
as its weakest link.
597
00:33:49,410 --> 00:33:51,414
‐ And that's Abdi?
POP: That's Ace.
598
00:33:51,414 --> 00:33:53,752
NADIA: Huh.
599
00:33:53,752 --> 00:33:58,970
‐ Abdi's been poaching
Ace's tenants six months early.
600
00:33:58,970 --> 00:34:02,936
‐ Is it poaching if he's just
giving them a better deal?
601
00:34:02,936 --> 00:34:06,778
‐ Ace doesn't read
The Economist, Nadia.
602
00:34:06,778 --> 00:34:08,782
Tell Abdi to go easy.
603
00:34:08,782 --> 00:34:11,244
This'll take care of itself.
604
00:34:11,244 --> 00:34:13,458
‐ I don't get involved
in that side.
605
00:34:13,458 --> 00:34:15,545
That was our deal.
606
00:34:15,545 --> 00:34:18,593
‐ "Do no harm."
‐ First day of class.
607
00:34:18,593 --> 00:34:20,472
Money well spent, Pop.
608
00:34:20,472 --> 00:34:23,978
‐ I hope so.
NADIA: Hmm.
609
00:34:23,978 --> 00:34:26,526
See you at your
appointment Friday.
610
00:34:26,526 --> 00:34:30,450
And whatever green cultivation
you're smoking, cut it in half.
611
00:34:30,450 --> 00:34:31,953
[paper smacks]
612
00:34:31,953 --> 00:34:34,165
‐ Talk to your brother.
613
00:34:34,165 --> 00:34:37,046
[door shuts]
614
00:34:37,046 --> 00:34:40,052
[thunder rumbling]
[rain pattering]
615
00:34:42,433 --> 00:34:44,144
[thunder crashes]
616
00:34:44,144 --> 00:34:47,150
[ominous music]
617
00:34:47,150 --> 00:34:49,780
[breathing heavily]
618
00:34:49,780 --> 00:34:53,955
♪ ♪
619
00:34:53,955 --> 00:34:57,921
‐ [retching, gasping]
620
00:34:57,921 --> 00:34:59,508
♪ ♪
621
00:34:59,508 --> 00:35:02,514
[electricity humming]
622
00:35:02,514 --> 00:35:05,186
[typewriter clacks, dings]
623
00:35:05,186 --> 00:35:08,192
TALL MAN:
[speaking inaudibly]
624
00:35:08,192 --> 00:35:10,154
♪ ♪
625
00:35:10,154 --> 00:35:13,118
Stumbling...
[speaking inaudibly]
626
00:35:13,118 --> 00:35:16,166
♪ ♪
627
00:35:16,166 --> 00:35:18,797
Scale the rooftops.
628
00:35:18,797 --> 00:35:20,967
Did you like it?
629
00:35:20,967 --> 00:35:23,180
♪ ♪
630
00:35:23,180 --> 00:35:26,186
[lights humming]
631
00:35:29,360 --> 00:35:30,987
[lever snaps]
632
00:35:30,987 --> 00:35:33,993
[all gasping, chattering]
633
00:35:33,993 --> 00:35:35,455
[monitor beeping]
634
00:35:35,455 --> 00:35:37,543
WORKER: The whole building?
‐ I'm not sure. I'll check.
635
00:35:37,543 --> 00:35:39,713
Hello?
I'm trying to call out.
636
00:35:39,713 --> 00:35:42,343
NURSE: Give it a minute or two,
the generator will kick in.
637
00:35:42,343 --> 00:35:45,224
[overlapping chatter]
638
00:35:45,224 --> 00:35:48,439
[intense music building]
639
00:35:48,439 --> 00:35:50,150
[musical crash]
640
00:35:50,150 --> 00:35:53,408
TALL MAN: [distorted voice]
Did you like it?
Did you like it?
641
00:35:53,408 --> 00:35:55,620
♪ ♪
642
00:35:55,620 --> 00:35:57,541
[distorted audio]
Did you like it?
643
00:35:57,541 --> 00:35:59,962
♪ ♪
644
00:35:59,962 --> 00:36:01,339
[distorted audio]
Did you like it?
645
00:36:01,339 --> 00:36:03,386
ANNIE: [grunts]
646
00:36:03,386 --> 00:36:06,308
[panting]
647
00:36:06,308 --> 00:36:08,730
[gasping]
648
00:36:08,730 --> 00:36:13,448
♪ ♪
649
00:36:13,448 --> 00:36:16,454
[panting]
650
00:36:19,543 --> 00:36:21,212
[shoes squeak]
651
00:36:23,050 --> 00:36:26,097
JAMAL: Anne?
652
00:36:26,097 --> 00:36:28,268
What are you doing?
653
00:36:28,268 --> 00:36:31,107
‐ [panting]
I just‐‐I fell and‐‐
654
00:36:31,107 --> 00:36:33,738
was... [panting]
655
00:36:33,738 --> 00:36:36,369
Four needs Zofran.
656
00:36:36,369 --> 00:36:39,750
The blackout really got to her,
so I need to get in.
657
00:36:39,750 --> 00:36:41,086
JAMAL: Well, security
will be here soon.
658
00:36:41,086 --> 00:36:42,547
‐ Security?
659
00:36:42,547 --> 00:36:45,010
‐ Dr. H left her override key
at home again.
660
00:36:45,010 --> 00:36:46,555
♪ ♪
661
00:36:46,555 --> 00:36:48,183
NURSE: You know,
Dr. H has an override key.
662
00:36:48,183 --> 00:36:49,310
She'll bring you in.
663
00:36:49,310 --> 00:36:50,522
[panel beeps]
664
00:36:50,522 --> 00:36:52,901
JAMAL: Anne?
NADIA: Take what you need.
665
00:36:52,901 --> 00:36:55,448
JAMAL: Anne, are you okay?
666
00:36:55,448 --> 00:36:57,452
‐ Never mind.
667
00:36:57,452 --> 00:37:00,458
[panting]
668
00:37:00,458 --> 00:37:03,464
[tense music]
669
00:37:03,464 --> 00:37:09,685
♪ ♪
670
00:37:10,979 --> 00:37:12,899
NADIA: Understaffed,
underpaid.
671
00:37:12,899 --> 00:37:14,653
♪ ♪
672
00:37:14,653 --> 00:37:18,243
You know, I've been stuck on
overnights for the last week,
673
00:37:18,243 --> 00:37:20,415
I'm exhausted.
674
00:37:20,415 --> 00:37:23,421
[insects chirping distantly]
675
00:37:35,570 --> 00:37:38,576
[insects chirping]
676
00:37:38,576 --> 00:37:41,582
[curious music]
677
00:37:41,582 --> 00:37:48,596
♪ ♪
678
00:37:51,852 --> 00:37:54,525
[microwave door shuts]
679
00:37:54,525 --> 00:38:01,539
♪ ♪
680
00:38:13,479 --> 00:38:16,443
[muffled heavy rock music
playing over speakers]
681
00:38:16,443 --> 00:38:19,449
[singer singing indistinctly]
682
00:38:19,449 --> 00:38:24,668
♪ ♪
683
00:38:24,668 --> 00:38:27,632
SINGER: ♪ Too hard too long ♪
684
00:38:27,632 --> 00:38:29,761
♪ ♪
685
00:38:29,761 --> 00:38:32,767
[singer continues
indistinctly]
686
00:38:32,767 --> 00:38:35,940
♪ All over
just one more time ♪
687
00:38:35,940 --> 00:38:38,946
[gas gurgling]
688
00:38:38,946 --> 00:38:45,960
♪ ♪
689
00:38:52,474 --> 00:38:55,480
[suspenseful music]
690
00:38:55,480 --> 00:39:02,452
♪ ♪
691
00:39:03,496 --> 00:39:06,502
[gravel crunching]
692
00:39:06,502 --> 00:39:09,508
[thunder rumbling]
693
00:39:09,508 --> 00:39:14,643
♪ ♪
694
00:39:14,643 --> 00:39:17,649
[distant siren wailing]
695
00:39:17,649 --> 00:39:20,655
[siren swells, fades]
696
00:39:20,655 --> 00:39:27,669
♪ ♪
697
00:39:46,623 --> 00:39:49,253
[floors creak]
698
00:39:51,925 --> 00:39:54,931
[objects rattling]
699
00:39:54,931 --> 00:39:58,313
♪ ♪
700
00:39:58,313 --> 00:40:00,902
[cabinet door shuts]
701
00:40:00,902 --> 00:40:06,120
♪ ♪
702
00:40:06,120 --> 00:40:08,041
‐ [inhales sharply]
703
00:40:08,041 --> 00:40:11,047
[eerie, discordant music]
704
00:40:11,047 --> 00:40:16,642
♪ ♪
705
00:40:27,246 --> 00:40:29,793
[door creaking]
706
00:40:31,463 --> 00:40:38,351
♪ ♪
707
00:40:38,351 --> 00:40:39,938
[car door slams]
708
00:40:39,938 --> 00:40:41,692
[car alarm chirps]
709
00:40:41,692 --> 00:40:43,362
♪ ♪
710
00:40:43,362 --> 00:40:45,616
[panting]
711
00:40:45,616 --> 00:40:51,085
♪ ♪
712
00:40:56,472 --> 00:40:58,767
[door handle rattles]
713
00:40:58,767 --> 00:41:00,605
[keys jingle, clatter]
714
00:41:00,605 --> 00:41:03,234
[door slams]
[latch clicks]
715
00:41:03,234 --> 00:41:04,988
[door creaks]
716
00:41:06,783 --> 00:41:09,498
ABDI: [yawns]
717
00:41:10,708 --> 00:41:13,046
[object clatters]
718
00:41:26,990 --> 00:41:34,004
♪ ♪
719
00:41:50,621 --> 00:41:54,253
[glass shattering]
[flames roaring]
720
00:41:54,253 --> 00:41:57,719
[fire alarm beeping]
721
00:41:57,719 --> 00:42:03,187
♪ ♪
722
00:42:03,187 --> 00:42:06,110
[coughing]
723
00:42:06,110 --> 00:42:09,199
[beeping continues]
724
00:42:09,199 --> 00:42:13,082
♪ ♪
725
00:42:13,082 --> 00:42:16,255
[glass shatters]
726
00:42:18,134 --> 00:42:20,263
[coughing]
727
00:42:20,263 --> 00:42:22,518
[extinguisher spraying]
728
00:42:22,518 --> 00:42:26,108
[engine rumbling]
729
00:42:26,108 --> 00:42:33,081
♪ ♪
730
00:42:36,588 --> 00:42:38,509
[coughing]
731
00:42:41,682 --> 00:42:43,602
‐ [panting]
732
00:42:43,602 --> 00:42:45,606
[distant sirens wail]
733
00:42:49,614 --> 00:42:51,743
[phone ringing]
734
00:42:51,743 --> 00:42:53,914
ANNOUNCER:
Eric Parker to the ER.
735
00:42:53,914 --> 00:42:56,043
Eric Parker to ER.
736
00:42:56,043 --> 00:42:59,049
[suspenseful music]
737
00:42:59,049 --> 00:43:06,063
♪ ♪
738
00:43:11,198 --> 00:43:12,368
[car door slams]
739
00:43:12,368 --> 00:43:15,416
OFFICER: Ace Merrill?
740
00:43:15,416 --> 00:43:17,043
ACE: You know who I am.
741
00:43:17,043 --> 00:43:19,924
OFFICER: There was a fire
last night in Salem's Lot.
742
00:43:19,924 --> 00:43:21,887
Abdi and
Nadia Howlwadaag's house.
743
00:43:21,887 --> 00:43:23,515
Where were you last night?
744
00:43:23,515 --> 00:43:30,529
♪ ♪
745
00:43:37,460 --> 00:43:39,631
[panel chirps]
746
00:43:39,631 --> 00:43:41,384
Can we come in and ask you
a couple of questions?
747
00:43:41,384 --> 00:43:43,054
ACE: Yeah, and I don't see
a fucking warrant.
748
00:43:43,054 --> 00:43:46,101
[indistinct radio chatter]
749
00:43:52,657 --> 00:43:54,744
[pills rattle]
750
00:43:54,744 --> 00:44:01,758
♪ ♪
751
00:44:06,225 --> 00:44:08,020
‐ Hi, Doc.
752
00:44:09,649 --> 00:44:12,320
Just grabbing a Zofran for six.
753
00:44:12,320 --> 00:44:14,074
NADIA: Anne?
ANNIE: Mm‐hmm?
754
00:44:14,074 --> 00:44:17,623
NADIA: There's nobody in six.
755
00:44:17,623 --> 00:44:19,669
‐ I know that.
756
00:44:19,669 --> 00:44:21,965
I‐‐what I meant was
I was grabbing one for‐‐
757
00:44:21,965 --> 00:44:24,929
‐ Anne, stop.
758
00:44:24,929 --> 00:44:27,518
‐ Okay.
759
00:44:29,313 --> 00:44:30,566
I lost the chart.
760
00:44:30,566 --> 00:44:32,319
I forgot the rules‐‐
‐ What are you stealing?
761
00:44:32,319 --> 00:44:34,197
Oxycontin? Fentanyl?
‐ No!
762
00:44:34,197 --> 00:44:35,492
‐ You're an addict.
‐ No, no, no, I swear.
763
00:44:35,492 --> 00:44:36,953
NADIA: So you're selling
the drugs.
ANNE: No!
764
00:44:36,953 --> 00:44:38,582
‐ I'm gonna call the cops
if you don't tell me
765
00:44:38,582 --> 00:44:40,920
what you're doing here
right now.
766
00:44:40,920 --> 00:44:44,134
‐ [breathing heavily]
767
00:44:44,134 --> 00:44:45,804
I'm not right.
768
00:44:45,804 --> 00:44:48,644
[sighs]
769
00:44:48,644 --> 00:44:50,271
[tense music]
770
00:44:50,271 --> 00:44:54,279
I've got these things
in my mind.
771
00:44:54,279 --> 00:44:56,200
♪ ♪
772
00:44:56,200 --> 00:45:00,124
People running around
[stammers] and memories.
773
00:45:00,124 --> 00:45:01,711
♪ ♪
774
00:45:01,711 --> 00:45:04,425
I stumped 'em, though.
775
00:45:04,425 --> 00:45:07,097
The headshrinkers,
they couldn't diagnose me.
776
00:45:07,097 --> 00:45:10,103
They could not make me right,
but I found the recipe.
777
00:45:10,103 --> 00:45:12,608
‐ What recipe?
778
00:45:12,608 --> 00:45:16,533
‐ Risperdal, Haldol, Lithium.
779
00:45:16,533 --> 00:45:18,537
‐ Antipsychotics.
780
00:45:18,537 --> 00:45:20,791
You're stealing antipsychotics.
781
00:45:20,791 --> 00:45:22,043
Why?
782
00:45:22,043 --> 00:45:24,716
ANNIE: Because I can't‐‐
those go on my chart,
783
00:45:24,716 --> 00:45:27,053
the state association
sees that,
784
00:45:27,053 --> 00:45:30,894
I can't work in a hospital.
785
00:45:30,894 --> 00:45:33,274
I need my pills.
786
00:45:33,274 --> 00:45:35,028
[sniffs]
787
00:45:35,028 --> 00:45:38,785
Because Joy,
she needs the real me.
788
00:45:38,785 --> 00:45:42,042
[baby crying]
The right me.
789
00:45:42,042 --> 00:45:45,048
And the good Lord knows,
there's more to all of us,
790
00:45:45,048 --> 00:45:46,551
and not all of it's good
791
00:45:46,551 --> 00:45:49,724
but I am trying...
792
00:45:49,724 --> 00:45:51,770
for Joy.
793
00:45:51,770 --> 00:45:54,316
♪ ♪
794
00:45:54,316 --> 00:45:55,986
‐ Joy is your daughter?
795
00:45:55,986 --> 00:45:58,575
ANNIE: I lost my own mom
when I was about her age,
796
00:45:58,575 --> 00:46:00,244
so I know‐‐
797
00:46:00,244 --> 00:46:02,583
I know how hard
it would be for her
798
00:46:02,583 --> 00:46:05,213
if I couldn't...
[breathing heavily]
799
00:46:05,213 --> 00:46:07,802
♪ ♪
800
00:46:07,802 --> 00:46:09,472
NADIA: What are the doses?
801
00:46:09,472 --> 00:46:12,268
‐ What?
‐ Risperdal, Haldol, Lithium.
802
00:46:12,268 --> 00:46:14,482
How much?
803
00:46:15,901 --> 00:46:18,365
‐ 40, 20, 10.
804
00:46:18,365 --> 00:46:25,379
♪ ♪
805
00:46:29,554 --> 00:46:33,812
NADIA:
Risper‐‐I'll have to make
a couple of small adjustments.
806
00:46:33,812 --> 00:46:36,693
We'll use samples
and off‐labels, but...
807
00:46:36,693 --> 00:46:40,241
you'll get what you need.
808
00:46:40,241 --> 00:46:42,580
[paper rustles]
809
00:46:42,580 --> 00:46:44,291
‐ The rules.
810
00:46:44,291 --> 00:46:46,086
NADIA: As long as you're
working at this hospital,
811
00:46:46,086 --> 00:46:47,631
I can cover you.
812
00:46:47,631 --> 00:46:51,681
ANNIE: But...why are you...
813
00:46:51,681 --> 00:46:54,269
‐ If more people took Lithium
and not Oxy,
814
00:46:54,269 --> 00:46:56,190
this would be
a much better world.
815
00:46:56,190 --> 00:47:00,699
But if you feel an episode
coming on, call me.
816
00:47:03,120 --> 00:47:04,624
‐ Thank you.
817
00:47:12,055 --> 00:47:13,683
‐ Where'd you find it?
818
00:47:13,683 --> 00:47:15,646
I thought I left
my key at home.
819
00:47:15,646 --> 00:47:17,691
‐ Behind your desk.
820
00:47:17,691 --> 00:47:19,612
It fell.
821
00:47:29,715 --> 00:47:32,721
[soft music]
822
00:47:32,721 --> 00:47:38,733
♪ ♪
823
00:47:40,236 --> 00:47:45,539
CHRIS: Okay, and this
and, uh, your keys.
824
00:47:45,539 --> 00:47:52,553
♪ ♪
825
00:47:59,859 --> 00:48:01,654
‐ So you got Old Bessie back?
826
00:48:01,654 --> 00:48:04,410
ANNIE: I did.
827
00:48:04,410 --> 00:48:06,456
‐ And some medicine?
828
00:48:09,420 --> 00:48:11,632
‐ Yes.
829
00:48:13,260 --> 00:48:16,016
‐ So we're leaving?
830
00:48:21,527 --> 00:48:25,369
‐ We're searchers, you and me.
831
00:48:25,369 --> 00:48:29,418
My dad, your grandpa‐‐
that good old guy,
832
00:48:29,418 --> 00:48:32,131
they don't make men like that,
little love‐‐not anymore.
833
00:48:32,131 --> 00:48:35,012
Now they just make dirty birds
and paper fakes.
834
00:48:35,012 --> 00:48:37,810
No heroes, no real men,
sorry to say.
835
00:48:37,810 --> 00:48:41,191
But my dad was one of them,
and he would say to me,
836
00:48:41,191 --> 00:48:44,949
"Annie, there are two kinds
of people that made America:
837
00:48:44,949 --> 00:48:47,120
searchers and settlers."
838
00:48:47,120 --> 00:48:49,959
He was a searcher,
Dad, your grandpa.
839
00:48:49,959 --> 00:48:52,589
He settled for nothing,
that one.
840
00:48:52,589 --> 00:48:56,346
And my mom, she was a settler.
841
00:48:56,346 --> 00:48:58,977
You set her down anywhere
and she would make a home.
842
00:48:58,977 --> 00:49:00,897
She would make it perfect,
843
00:49:00,897 --> 00:49:04,405
and she would keep
making it perfect until...
844
00:49:04,405 --> 00:49:06,451
[nostalgic music]
845
00:49:06,451 --> 00:49:09,665
Till it said uncle, you know?
846
00:49:09,665 --> 00:49:12,504
And me, well...
847
00:49:12,504 --> 00:49:16,052
I'm kind of a funny old
oogy mess of both.
848
00:49:16,052 --> 00:49:19,977
All mixed up sometimes,
but good things besides
849
00:49:19,977 --> 00:49:24,277
and always, always
your best interests
at heart, Joy.
850
00:49:24,277 --> 00:49:25,614
♪ ♪
851
00:49:25,614 --> 00:49:29,078
See, I'm a searcher
who just wants to settle.
852
00:49:29,078 --> 00:49:31,208
Wants it bad.
853
00:49:31,208 --> 00:49:34,757
I just can't seem
to find a place to alight.
854
00:49:34,757 --> 00:49:37,261
Can't seem to find
that Laughing Place
855
00:49:37,261 --> 00:49:40,267
that'll live up to you...
856
00:49:40,267 --> 00:49:43,106
my perfection.
857
00:49:43,106 --> 00:49:45,904
I'm not saying this is it,
but I am saying
858
00:49:45,904 --> 00:49:49,662
you deserve a chance
to see‐‐to settle a little,
859
00:49:49,662 --> 00:49:52,376
make a place in the world.
860
00:49:52,376 --> 00:49:54,254
Maybe...
861
00:49:54,254 --> 00:49:58,345
anywhere could be
the Laughing Place
if we're there together.
862
00:49:58,345 --> 00:50:00,809
Even here.
863
00:50:00,809 --> 00:50:02,729
Maybe.
864
00:50:02,729 --> 00:50:05,360
♪ ♪
865
00:50:05,360 --> 00:50:07,614
Mm.
866
00:50:07,614 --> 00:50:14,628
♪ ♪
867
00:50:32,873 --> 00:50:34,585
‐ What's this for?
868
00:50:34,585 --> 00:50:37,340
‐ You've been cooped up
long enough.
869
00:50:37,340 --> 00:50:39,470
Why don't you go get yourself
some drawing paper?
870
00:50:39,470 --> 00:50:41,432
‐ [stammers]
By myself?
871
00:50:41,432 --> 00:50:44,354
‐ How else are you gonna
draw us up a better world?
872
00:50:44,354 --> 00:50:47,819
♪ ♪
873
00:51:03,142 --> 00:51:05,299
ABDI:
[speaking foreign language]
874
00:51:16,377 --> 00:51:18,506
♪ ♪
875
00:51:22,514 --> 00:51:24,810
‐ Ace did some KKK shit.
876
00:51:24,810 --> 00:51:26,439
Trying to burn us both alive.
877
00:51:26,439 --> 00:51:29,737
‐ Ace?
‐ Thank God you weren't here.
878
00:51:32,701 --> 00:51:35,707
NADIA: This has to stop, Abdi.
879
00:51:35,707 --> 00:51:37,251
ABDI: It will.
880
00:51:38,671 --> 00:51:41,217
Put that away!
Do not make things worse.
881
00:51:50,820 --> 00:51:53,325
[train horn blaring]
882
00:51:53,325 --> 00:51:56,373
[train wheels rumbling]
883
00:52:19,085 --> 00:52:21,465
REPORTER: With the 400th
anniversary approaching,
884
00:52:21,465 --> 00:52:23,260
rumors that
witch trials happened
885
00:52:23,260 --> 00:52:24,972
near this part
of Salem's Lot abound,
886
00:52:24,972 --> 00:52:27,686
but that hasn't stop
construction.
887
00:52:27,686 --> 00:52:29,648
It may not
look like much yet,
888
00:52:29,648 --> 00:52:31,652
but once the foundation
is poured tomorrow,
889
00:52:31,652 --> 00:52:34,700
rest assured, the new
Somali mall will rise up‐‐
890
00:52:34,700 --> 00:52:36,537
[bright orchestral music]
‐ Change your language.
891
00:52:36,537 --> 00:52:39,125
[TV continues indistinctly]
892
00:52:39,125 --> 00:52:41,296
[keys jingling]
[doorknob rattling]
893
00:52:41,296 --> 00:52:43,133
ANNIE: Joy?
894
00:52:43,133 --> 00:52:45,430
ACE: Your daughter here?
895
00:52:47,934 --> 00:52:50,398
‐ What are you doing
in my house?
896
00:52:50,398 --> 00:52:52,611
[ice cream plops slowly]
897
00:52:52,611 --> 00:52:54,990
‐ You're dripping.
898
00:52:59,750 --> 00:53:03,048
She gets out at night,
that kid.
899
00:53:03,048 --> 00:53:06,304
Gets out...
900
00:53:06,304 --> 00:53:09,018
gets into shit.
901
00:53:09,018 --> 00:53:11,022
Other people's shit.
902
00:53:14,363 --> 00:53:15,573
ANNIE: Get out.
903
00:53:15,573 --> 00:53:18,328
‐ You've heard of
"landlord may enter"?
904
00:53:18,328 --> 00:53:21,543
That's state law.
I'm the landlord.
905
00:53:21,543 --> 00:53:24,215
I may enter.
906
00:53:24,215 --> 00:53:26,595
Landlord's gotta do
his own background checks.
907
00:53:26,595 --> 00:53:30,728
You're not the first lammer
showed up here paying cash,
908
00:53:30,728 --> 00:53:34,318
driving around
with fictitious plates.
909
00:53:36,448 --> 00:53:38,118
‐ I'll call the police.
910
00:53:38,118 --> 00:53:42,794
‐ See, Anne Ingalls
from Pepin, Wisconsin
911
00:53:42,794 --> 00:53:45,215
just might do that.
912
00:53:45,215 --> 00:53:49,558
But Annie Wilkes
from Bakersfield, California
913
00:53:49,558 --> 00:53:52,772
sure as shit would not.
914
00:53:52,772 --> 00:53:56,822
I'm happy to provide
free internet access
to all our guests
915
00:53:56,822 --> 00:54:00,162
as long as I get to ride along.
916
00:54:00,162 --> 00:54:04,546
So here's the deal,
Annie Wilkes...
917
00:54:06,215 --> 00:54:09,639
Your daughter saw some shit
she shouldn't have,
918
00:54:09,639 --> 00:54:12,186
so you're gonna shut her up,
so I don't have‐‐
919
00:54:12,186 --> 00:54:14,273
‐ [yelps]
‐ [groans]
920
00:54:14,273 --> 00:54:16,361
[muffled gagging]
921
00:54:16,361 --> 00:54:18,824
‐ [yelping]
922
00:54:18,824 --> 00:54:20,536
‐ [gagging]
923
00:54:20,536 --> 00:54:23,459
‐ [grunting]
924
00:54:23,459 --> 00:54:26,548
‐ [gagging]
925
00:54:26,548 --> 00:54:29,303
‐ [whimpering]
926
00:54:29,303 --> 00:54:32,017
‐ [groans, gagging]
927
00:54:33,395 --> 00:54:36,401
[gurgling]
‐ [whimpering]
928
00:54:37,946 --> 00:54:40,952
‐ [groaning]
929
00:54:43,457 --> 00:54:46,463
ANNIE: [panting]
930
00:54:53,351 --> 00:54:56,358
‐ [muffled breathing]
931
00:54:56,358 --> 00:54:59,321
[dark music]
932
00:54:59,321 --> 00:55:04,039
♪ ♪
933
00:55:04,039 --> 00:55:06,461
[groaning]
934
00:55:06,461 --> 00:55:13,475
♪ ♪
935
00:55:19,404 --> 00:55:21,575
[exhales sharply]
936
00:55:21,575 --> 00:55:25,416
♪ ♪
937
00:55:25,416 --> 00:55:26,627
[bones crunch]
938
00:55:26,627 --> 00:55:29,298
[squelching]
939
00:55:29,298 --> 00:55:36,312
♪ ♪
940
00:55:48,837 --> 00:55:51,843
[tense music building]
941
00:55:51,843 --> 00:55:55,434
♪ ♪
942
00:56:00,778 --> 00:56:03,450
‐ Mom?
943
00:56:03,450 --> 00:56:08,292
SINGER: ♪ Let the river run ♪
944
00:56:08,292 --> 00:56:12,009
♪ Let all the dreamers ♪
945
00:56:12,009 --> 00:56:16,058
♪ Wake the nation ♪
946
00:56:16,058 --> 00:56:18,062
♪ Come ♪
947
00:56:18,062 --> 00:56:23,991
♪ The New Jerusalem ♪
948
00:56:23,991 --> 00:56:25,619
♪ ♪
949
00:56:25,619 --> 00:56:29,627
♪ Silver cities rise ♪
950
00:56:29,627 --> 00:56:32,717
♪ The morning lights ♪
951
00:56:32,717 --> 00:56:35,723
♪ The streets that meet them ♪
952
00:56:35,723 --> 00:56:39,856
♪ And sirens call them on ♪
953
00:56:39,856 --> 00:56:43,655
♪ With a song ♪
954
00:56:43,655 --> 00:56:45,409
[engine turns over]
955
00:56:45,409 --> 00:56:50,628
♪ It's asking for the taking ♪
956
00:56:50,628 --> 00:56:52,924
♪ Trembling ♪
957
00:56:52,924 --> 00:56:55,888
♪ Shaking ♪
958
00:56:55,888 --> 00:57:00,731
♪ Oh, my heart is aching ♪
959
00:57:00,731 --> 00:57:03,862
♪ We're coming to the edge,
running on the water ♪
960
00:57:03,862 --> 00:57:06,451
♪ Coming through the fog,
your sons and daughters ♪
961
00:57:06,451 --> 00:57:10,918
♪ We the great and small ♪
962
00:57:10,918 --> 00:57:13,339
♪ Stand on a star ♪
963
00:57:13,339 --> 00:57:18,767
♪ And blaze a trail of desire ♪
964
00:57:18,767 --> 00:57:25,364
♪ Through the darkening dawn ♪
965
00:57:25,364 --> 00:57:28,829
[thunder crashes, rumbles]
966
00:57:28,829 --> 00:57:31,376
[door slams]
967
00:57:31,376 --> 00:57:34,382
[insects chirping]
968
00:57:37,012 --> 00:57:40,018
[sinister music]
969
00:57:40,018 --> 00:57:46,823
♪ ♪
970
00:57:46,823 --> 00:57:49,412
[shovel scraping]
971
00:57:49,412 --> 00:57:56,426
♪ ♪
972
00:58:01,978 --> 00:58:04,484
ANNIE: [breathing shakily]
973
00:58:04,484 --> 00:58:11,498
♪ ♪
974
00:58:23,438 --> 00:58:26,945
[rumbling, shifting]
975
00:58:26,945 --> 00:58:28,281
[shrieks]
976
00:58:28,281 --> 00:58:30,619
[insects buzzing]
977
00:58:30,619 --> 00:58:33,625
[whimpering, yelping]
978
00:58:35,044 --> 00:58:37,007
[shrieks]
979
00:58:37,007 --> 00:58:39,846
♪ ♪
980
01:00:04,222 --> 01:00:06,185
CHILDREN: Bad robot.